Best movie Bad Guys?

A few of my choices, in no particular order save that which entered my Brainulus:

Classic. Absolutely classic. From the Thomas Harris book, “Silence of the Lambs,” the 1991 movie of the same name exhibits the quintessential Lecter. Anthony Hopkins deserved his Oscar and then some. He wasn’t huge, he wasn’t muscular, he wasn’t physically ugly.
Hannibal Lecter: Now then, tell me. What did Miggs say to you? Multiple Miggs in the next cell. He hissed at you. What did he say?
Clarice Starling: He said, “I can smell your cunt.”
Hannibal Lecter: I see. I myself cannot. You use Evian skin cream, and sometimes you wear L’Air du Temps, but not today.
Sterling Hayden’s ultimate role. From the 1964 black & white movie “Dr. Strangelove or: How I Learned To Stop Worrying And Love The Bomb.” Directed by Stanley Kubrick in a semi-documentary style (and borrowing from the 1958 novel “Red Alert” by Peter George), Gen. Ripper sent his entire nuclear-armed B-52 wing beyond their fail-safe points and into Soviet airspace due to the pollution of our national precious bodily fluids.
General Jack D. Ripper: Mandrake, do you recall what Clemenceau once said about war?
Group Capt. Lionel Mandrake: No, I don’t think I do, sir, no.
General Jack D. Ripper: He said war was too important to be left to the generals. When he said that, 50 years ago, he might have been right. But today, war is too important to be left to politicians. They have neither the time, the training, nor the inclination for strategic thought. I can no longer sit back and allow Communist infiltration, Communist indoctrination, Communist subversion and the international Communist conspiracy to sap and impurify all of our precious bodily fluids.
From the 1994 film “The Professional,” Stansfield is a drug-snorting, unkempt, over-the-top DEA operative responsible for numerous killings. Gary Oldman’s portrayal is simply superb.
Mathilda: You killed my brother.
Stansfield: I’m sorry. And you want to join him?
Mathilda: No.
Stansfield: It’s always the same thing. It’s when you start to become really afraid of death that you learn to appreciate life. Do you like life, sweetheart?
Mathilda: Yes.
Stansfield: That’s good, because I take no pleasure in taking life if it’s from a person who doesn’t care about it.
Joe Pesci takes the Small Man Complex to its penultimate step. From the 1990 film “Goodfellas,” Pesci’s classic lines:
Tommy DeVito: You mean, let me understand this cause, ya know maybe it’s me, I’m a little fucked up maybe, but I’m funny how, I mean funny like I’m a clown, I amuse you? I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny, funny how? How am I funny?
Henry Hill: Just… you know, how you tell the story, what?
Tommy DeVito: No, no, I don’t know, you said it. How do I know? You said I’m funny. How the fuck am I funny, what the fuck is so funny about me? Tell me, tell me what’s funny!
Henry Hill: [long pause] Get the fuck out of here, Tommy!
Tommy DeVito: [everyone laughs] Ya motherfucker! I almost had him, I almost had him. Ya stuttering prick ya. Frankie, was he shaking? I wonder about you sometimes, Henry. You may fold under questioning.
Henry Silva’s role as Score in 1981’s “Sharky’s Machine” just barely edges out his role of Kurt Zagon in the 1988 Steven Seagal movie “Above The Law.” It would appear that Oldman used the drug-addled Score as the basis for his role as Stansfield. Henry Silva was and still is one of the world’s finest bad guys. From “Above The Law“:
Kurt Zagon: [prepares a syringe] You know, I use these things to extract useful information. But for the first time, I’m going to use them just for fun. [Kurt’s guards hold Nico still and Kurt injects Nico in the leg with the syringe. Nico squirms even harder]
Kurt Zagon: Yeah. That’s it! That’s it. Race it through your system. [Nico stops squirming and slumps down in his chair]
Kurt Zagon: Toscani? Toscani! [Nico looks back up weakly]
Kurt Zagon: There you are, my friend. Man, you should have killed me when you had the chance to. You were too fucking dumb, you asshole!
Lee Marvin doubled in the 1965 film “Cat Ballou” as both Kid Shelleen and Tim Strawn, he of the silver nosepiece — and won an Oscar for same. Some things you didn’t know about Marvin: He was a direct descendant of Thomas Jefferson and twice a descendant of male line relatives of George Washington. He was Spielberg’s first choice for the role of Quint in Jaws (1975). He was named after Confederate Gen. Robert E. Lee, who was his second cousin three times removed. Marvin also turned down the lead role of Gen. George S. Patton Jr. in Patton (1970).
My favorite Marvin quote:
Tequila. Straight. There’s a real polite drink. You keep drinking until you finally take one more and it just won’t go down. Then you know you’ve reached your limit.
Michael Madsen’s portrayal of Mr. Blonde in 1992’s “Reservoir Dogs” was grisly and yet stellar. You absolutely dreaded the scene with Blonde and the police officer. This was Quentin Tarantino’s directorial and writing debut.
Mr. Blonde: Listen kid, I’m not gonna bullshit you, all right? I don’t give a good fuck what you know, or don’t know, but I’m gonna torture you anyway, regardless. Not to get information. It’s amusing, to me, to torture a cop. You can say anything you want cause I’ve heard it all before. All you can do is pray for a quick death, which you ain’t gonna get. [He removes his razor]
Mr. Blonde: You ever listen to K-Billy’s “Super Sounds of the Seventies” weekend? It’s my personal favorite.
The original crazy bitch stalker, Jessica Walter’s portrayal of Evelyn in Clint Eastwood’s 1971 film “Play Misty For Me” is the celluloid gold standard. Even 1987’s “Fatal Attraction” with Glenn Close as Alex Forrest pales in comparison.
Evelyn: Don’t you like me?
David ‘Dave’ Garver: You’re a nice girl.
Evelyn: But who needs nice girls?
David ‘Dave’ Garver: I’m kind of hung up on one.
Evelyn: And you don’t want to complicate yourself.
David ‘Dave’ Garver: That’s exactly right.
Evelyn: Well neither do I, but that’s no reason we shouldn’t sleep together tonight if we feel like it.
The 2001 movie “Snatch” features Vinnie Jones as BTT and, as we all know, England’s Jones makes a fabulous Bad Guy on any film at any time. A small bit of trivia: Jones is eternally banned from any flight on Virgin Atlantic Airlines for causing a fight on a flight to Tokyo. Another great “heavy” role: McStarley in 2007’s release of “The Condemned.”
Bullet Tooth Tony: So, you are obviously the big dick. The men on the side of ya are your balls. There are two types of balls. There are big brave balls, and there are little mincey faggot balls. Vinny: These are your last words, so make them a prayer.
Bullet Tooth Tony: Now, dicks have drive and clarity of vision, but they are not clever. They smell pussy and they want a piece of the action. And you thought you smelled some good old pussy, and have brought your two small mincey faggot balls along for a good old time. But you’ve got your parties mangled up. There’s no pussy here, just a dose that’ll make you wish you were born a woman. Like a prick, you are having second thoughts. You are shrinking, and your two little balls are shrinking with you. And the fact that you’ve got “Replica” written down the side of your gun… [Zoom in on the side of Sol’s gun, which indeed has “REPLICA” etched on the side; zoom out, as they sneak peeks at the sides of their guns]
Bullet Tooth Tony: And the fact that I’ve got “Desert Eagle point five O”… [Withdraws his gun and puts it on the table]
Bullet Tooth Tony: Written down the side of mine… [They look, zoom in on the side of his gun, which indeed has “DESERT EAGLE .50” etched on the side]
Bullet Tooth Tony: Should precipitate your balls into shrinking, along with your presence. Now… Fuck off!
Sir Laurence Olivier simply excelled in the 1976 film “Marathon Man.” I can recall watching this movie with my brother and absolutely cringing when the scene emerged displaying Dustin Hoffman sitting in the chair with Olivier hovering over him, dental tools in hand. The phrase “Is it safe?” still resonates in my brain housing group.
Christian Szell: Is it safe?… Is it safe?
Babe: You’re talking to me?
Christian Szell: Is it safe?
Babe: Is what safe?
Christian Szell: Is it safe?
Babe: I don’t know what you mean. I can’t tell you something’s safe or not, unless I know specifically what you’re talking about.
Christian Szell: Is it safe?
Babe: Tell me what the “it” refers to.
Christian Szell: Is it safe?
Babe: Yes, it’s safe, it’s very safe, it’s so safe you wouldn’t believe it.
Christian Szell: Is it safe?
Babe: No. It’s not safe, it’s… very dangerous, be careful.
Massive Honorable Mention:
Kathy Bates in the movie “Misery” caused many an audience to cringe when she smacks and breaks both ankles of James Caan’s Paul Sheldon with a sledgehammer! Every bit of air in the audience was sucked into multiple lungs with that sequence.
Annie Wilkes: Anything else I can get for you while I am in town? How about a tiny tape recorder, or how about a homemade pair of writing slippers?
Paul Sheldon: Annie, what’s the matter?
Annie Wilkes: What’s the matter? WHAT’S THE MATTER? I will tell you “what’s the matter!” I go out of my way for you! I do everything to try and make you happy. I feed you, I clean you, I dress you, and what thanks do I get? “Oh, you bought the wrong paper, Anne, I can’t write on this paper, Anne!” Well, I’ll get your stupid paper but you just better start showing me a little appreciation around here, Mr. MAN!
And so:
Who are your favorite celluloid bad guys?
Of course I left some out. It’s up to YOU to fill in the blanks.

The movie DOWNSIZING: to be avoided at all costs

Ladies and gentlemen, boys and girls, children of all ages, I spent $40 on Sunday so that you won’t have to. That’s the price I paid for myself and Mrs Zeppelin to see a showing of Matt Damon’s pedantic, fussy, Leftist trope — which included the price of admission, some popcorns, drinks and Junior Mints.

The popcorn and Junior Mints saved the day. The movie itself was a waste of space and time.

Let’s cut to the chase. DOWNSIZING is nothing more than a two hour and fifteen minute Leftist lecture on overpopulation and climate change. In other words — yawn — “we’re all gonna die.” Been there, done that, caught the trailer.

Yeah, whatever.

Make no mistake, the producers, directors and distributors knew they had a turkey POS on their hands. That’s the reason the trailers made you think it was going to be a comedy. But in truth it’s a funny as watching a dog lick its own vomit.

I’m sure its creators intended for the film to be darkly didactic. Instead it’s a piece of easily avoidable darkly-crafted shite. I’d place this easily into the same dribbling waste can of effluvium as the film MOTHER. Also to be avoided as if it possessed rippling, wet Hantavirus.

It’s the Norwegian doctors and their Caucasoid-ridden followers who first created the downsizing trend and, like Dr Strangelove’s (Arzt merkwûrdige Liebe) mineshaft suggestion, they all join hands, watch their final sunset, and trot down to their own 2017 Dr Strangelove mineshaft equivalent.

Jesus. Doesn’t anyone in Hollywood have an original thought in their head any more?

I guess none of these Leftist fucktards read Paul Ehrlich. And how he was brain-glazingly wrong.


Not shocked.



The great unknown car chase scene

Stunt driver Bill Hickman (R) with actor Paul Genge (as Ice Pick Mike). Director Peter Yates left the very real, frightened reactions of actor Genge in the film as they occurred.

We’ve all seen the chase scene in Steve McQueen’s 1968 film “Bullitt.”

There’s no denying it set the gold standard for movie chase sequences.

Oddly enough, I happened to meet Bill Hickman (solo stunt driver for the black Dodge Charger) in the early 80s just before he passed away in 1986. Hickman told me he had a great time in the film, wiped out a very expensive Arriflex film camera because he held his oversteer correction too long, and that it took four weeks to shoot the 10-minute chase scene. He also told me that the first left turn Steve McQueen took, at the beginning of the chase, was filmed in real traffic. That was a civilian taxi driver he turned behind to begin the pursuit; explaining his anger. Hickman confirmed there were three cars each: three Mustangs and three Chargers. All for backup. Question for attentive readers: in the movie, overall, how many hubcaps did the Charger lose on screen? Answer below.

Truly astounding what those stunt drivers, Bill Hickman, Bud Ekins, Carey Loftin and Loren James could accomplish in real time with, truly, ancient and heavy vehicles possessing poor handling, poor stopping capabilities yet with large power plants.

Bill Hickman, tragically enough, came upon the scene, a few minutes later, of James Dean’s fatal Porsche 550 crash on Highway 46 in 1955. Dean died in Hickman’s arms.

As an aside — what would happen if you attempted to re-create the classic Bullitt chase scene in, say, 2013? Pay attention people. Look for details.

We’ve also seen the great pursuit sequences in “The Seven-Ups.”

And of course there is the car chase scene from Ronin. Did we ever find out what was in the suitcase?

What about Ronin’s chase scene, Part II?

But have you ever seen or heard of the pursuit sequence from the movie “Strange Shadows In An Empty Room,” starring Stuart Whitman, John Saxon and Martin Landau?

The movie, financed and released in Italy, was shot in Montreal and Ottawa.

Remember, for crap American cars at the time, particularly a clunky Buick sedan, and in consideration of the fact that CGI simply didn’t exist, there appeared a cadre of actual stunt performers who had to make it all look realistic. They put their lives on the line for what we now recognize as hunks of junk.

That was back when people in movies had to actually possess talent.



Question: Why have CGI movies absolutely exploded in the past 20 years?

Answer:    Because directors find it much, much more convenient to review dailies and movie work when they exist as digital clips, seen in the comfort of their own homes or offices. The millions and millions of dollars spent on CGI exist for visual impact but also for the convenience of the directors involved, in terms of their review.

Hubcaps? 7.


Kenny Baker, R2D2, passes at age 81

Kenny Baker As R2D2For those of us of a certain age, who first saw Star Wars introduced to us by way of a long, scrolling explanation at the beginning of the film followed by the seemingly unending bottom of a massive space ship, another era ends for us.

The man who was the character R2D2 from the Star Wars films, Kenny Baker, has passed in England at the age of 81.


Kenny Baker, Star Wars R2-D2 actor, dies aged 81

Baker made his name as the robot in the first Star Wars film in 1977 alongside Anthony Daniels’s C-3PO character.

Star Wars creator George Lucas paid tribute to a “real gentleman” and Mark Hamill – Luke Skywalker in the films – said he had lost “a lifelong friend”.

Born in Birmingham, Baker’s other films include Time Bandits and Flash Gordon.

After starring in the original Star Wars film he went on to appear in the sequels, The Empire Strikes Back and Return of the Jedi, and the three prequels between 1999 and 2005.

He later appeared at Star Wars fan conventions across the world.

Baker’s agent Johnny Mans said the actor had been ill for a couple of years.

He said: “Kenny was truly a great friend, one of the nicest guys you could ever wish to meet, and a fabulous and talented performer.”

Mans described him as “a one-off” saying he would “never forget the laughs we shared over the years”.

“He will be sadly missed,” he added.

Indeed he will because, as R2D2, that character will always be remembered, as with the humanity that Kenny Baker brought to the role.

Baker’s nephew, Drew Myerscough, said he had cared for Baker for “eight or nine years” after he developed respiratory problems.

He said his uncle, who lived in Preston, had a passion for wildlife documentaries and had “a liking for lasagne”.

“He was just a normal, down-to-earth, regular guy that enjoyed life,” he told the BBC.

He said the pair “rarely” discussed Star Wars, but added: “His fans worldwide kept him going and he loved nothing more than going to conventions and meeting everybody – it really gave him that extra lease of life.”

Go with God, Kenny Baker.  You brought joy to, literally, millions.